Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Jean Baptiste Camille Corot
Carriere de la Chaise-a-Marie a Fontainebleau (mk11)

ID: 21009

Jean Baptiste Camille  Corot Carriere de la Chaise-a-Marie a Fontainebleau (mk11)
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Jean Baptiste Camille  Corot Carriere de la Chaise-a-Marie a Fontainebleau (mk11)


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Jean Baptiste Camille Corot

1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.  Related Paintings of Jean Baptiste Camille Corot :. | Ville d'Avray The Pond and the Cabassud House | L'eglise de Lormes (mk11) | Villeneuve-les-Avignon (mk11) | Chartres Cathedral | A Gate Shaded by Trees also called Entrance to the Chateau Breton Landscapee (mk05) |
Related Artists:
HEUSCH, Jacob de
Dutch painter (b. 1657, Utrecht, d. 1701, Amsterdam).
Orsi, Lelio
Italian, approx. 1508-87 .Italian painter and draughtsman. A prominent Emilian artist of the mid-16th century, he was influenced by Correggio as well as by the late Mannerist style of Giulio Romano. His large-scale works seem to have been mainly secular decorations, notably illusionistic fa?ades, of which only fragments are extant. Their energy and expressiveness are apparent, however, in the surviving paintings of smaller dimensions. Orsi's sole documented architectural work is the Collegiata di S Stefano, Novellara
Hyppolyte Victor Sebron
1801-1897






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